A PEEK INTO A WRITER’S LIFE
When readers read a wonderful story or book, the words flow seamlessly. The plot unfolds, the characters come to life, and the sequence of events makes perfect sense. Readers should never stop and think “Wait, this makes no sense,” or “Hold on, why am I just finding this out now?” or “Geez! I’m completely lost!” It’s the kiss of death when readers get frustrated – that’s when they put down the book and move on to something else. So, in a quest to please, thrill, and delight readers, good writers go to painstaking effort to write well, to captivate, to give their readers an experience that takes them into another world, place, or time. It’s daunting, to say the least, and sometimes leads the writer on the fast track to a severe case of WRITER’S BLOCK.
Nothing freaks writers out more than the inability to write. Panic sets in upon the realization that their story or novel has lost direction and is sinking into an abyss of confusion faster than my dogs eat treats. There are countless reasons why writers stumble, lose focus, and end up suffering the paralyzing effects of writer’s block. Here are three ways to get past it – if you are writer, take note. If you are reader – enjoy this little peek into “A Writer’s Life.”
GET MORE INFORMATION: You’re trying to write a disaster scene but don’t know what disaster to choose. Earthquake? Fire? Disease? You need your character to murder somebody and hide the body, but you know nothing about murder and body-disposal (at least I hope not). Your character is about to embark upon a journey into the rainforest but you don’t know how to describe the environment. Don’t panic! Do some research. Go online and study natural disasters; read books about real life murders; watch a documentary about (or take a trip to) the rainforest. Information gathering revives inspiration, increases creativity, and helps you put your characters in believable settings, situations, and predicaments.
GET TO KNOW YOUR CHARACTERS: One of my favorite exercises is interviewing. Ask your characters questions such as: “What’s really troubling you? Why do you hate your sister? Why do you always have to be in charge? What do you hope to achieve by confronting your enemy?” YOU (the creator of your characters) must know their wants and needs and, more importantly, understand the difference.
GET BACK ON TRACK: “To be (an outliner) or not to be . . .” If you don’t have an outline, there’s a good chance you’ll go off track. Even with an outline you may wander into the netherworld of tangents and storylines that take you nowhere and end up in the “deleted material file.” Regardless of how you lost direction, you must figure out where you made a wrong turn. It might be a quick fix or a complete rewrite. Either way, the earlier you cure it the better, because the problem will not fix itself and in all likelihood will only get worse. If you have an outline, go back to it. If you don’t have one, try writing one or, at the very least, make a list of plot points: first this happened then that happened then something else happened.
Bottom line: Writing is hard work. Reading shouldn’t have to be.
(previously published on ShelfPleasure.com)