When people find out a person is a writer, they’re intrigued. They ask questions. What do you write? Where do your ideas come from? Are you published? Do you have an MFA? Where can I read your work? Are you rich and famous? Continue reading “Too (not two) Frequently Asked Questions”
Writers are often asked: “What is your writing routine?” It’s a good question. After all, people want to know how it’s done. How do writers find time to write between jobs, kids, pets, chores, distractions, and the endless list of things that must be done before we allow ourselves the luxury of indulging in our creative passion. Continue reading “Real Writers Write Every Day . . . except for those who don’t”
I submitted this essay in application for the Dr. Ellen Taliaferro Scholarship to the San Francisco Writers Conference 2017. The prompt was this: “Write 500 words or less on the power of forgiveness.” So I did. And I won! The conference took place at the Mark Hopkins Hotel this past weekend. It was fabulous. Thank you Dr. Taliaferro.
The Art of Forgiveness
“It took a long time, but as soon as I let go of my anger and resentment, I was free. I dropped the chains I’d been carrying around like Ebenezer Scrooge and felt as if a single balloon could lift me off the ground and carry me to the sky.”
I wrote those words some time ago while working on a story in which my main character had been betrayed. She was suffocating under the weight of her own hostility and venom. As the writer who created this character, I understood her refusal to forgive. In fact, I was quite sure I didn’t want her to . . . Continue reading “The Art of Forgiveness”
I’ve gone in and out of several writing groups over the years. For the most part, I’ve gotten at least something out of each one — encouragement, sympathy, advice . . . and oh yeah, homegrown vegetables – writers have all kinds of interesting hobbies! For many of us, however, there comes a time when a critique group fails to serve its purpose. Here are FOUR situations that indicate it might be time for you to move on.
And what’s that got to do with writing anyway?
One of my writing colleagues recently published an article about prejudice against beauty. What? Who doesn’t like beauty? We all enjoy seeing beautiful things, places, faces. But what we don’t usually consider is how that pretty face makes us feel. Envious? Intimidated? Intrigued? Superior? Before that gorgeous gal utters a single word, have we judged her based on appearance?
Drawing conclusions, positive or negative, and making assumptions about people according to how they look is human nature. If I see a good looking guy driving a fancy-schmancy car, I think he’s rich. But he could be the chauffeur, the son of a rich guy, the boy-toy of an heiress, a car thief . . . who knows? From a young age, we are taught not to judge a book by its cover (or a man by his car), but we can’t help it.
From Science Daily: “Contrary to what most people believe, the tendency to be prejudiced is a form of common sense, hard-wired into the human brain through evolution as an adaptive response to protect our prehistoric ancestors from danger.” Okay then, it’s all about survival. While we’ve come a long way since the caveman days, we cannot ignore our instinct to be wary of those who might harm us, thwart our plans, or get in our way. Stereotypes help us make sense of the world, and we want to be able to look at people and think we know what they’re about.
So what do stereotypes have to do with writing? For starters, it’s one way writers create surprises, twists, and tension. We take preconceived notions and turn them on their heads. The drunk, depressed girl with no life becomes the one who solves the mystery (The Girl on the Train); the nerdy newspaper reporter turns out to be the super-hero (Superman); the ambulance chasing, low-life lawyer is at his core a noble advocate for the truth (The Night Of); the outcast, scrawny dog/wolf steps up to be the leader of the pack (Balto).
As writers, we often give a protagonist prejudices as a way of showing character arc and creating tension. The protagonist must evolve, have a change of heart, or experience a revelation in her quest for whatever it is she desires. And it’s the “will she or won’t she” question that keeps the reader in suspense.
So the next time you draw a conclusion based on nothing more than appearance, don’t feel bad. It’s your inner caveman at work. Just know, you might be wrong . . . then again, you might be right.
Read Mark Fine’s insightful article here: http://www.thefinemaxim.com/are-searchyou-prejudiced-against-beauty/
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Writers must be brave. When we write, we reveal stuff – what we think, believe, imagine. It took me a long time to get over feeling vulnerable and exposed. Actually, I’m not over it – I’ve just learned to live with it. Continue reading “To Read Me is to Know Me”